All posts tagged: West Kowloon Cultural District

Talk on Hong Kong participation at the 57th Venice Biennale, Samson Young: Songs for Disaster Relief

To accompany Hong Kong’s collateral event at the Venice Biennale 2017, Samson Young: Songs for Disaster Relief, M+ and the Hong Kong Arts Development Council are co-hosting a series of talks in Hong Kong. Taking Young’s artistic practice and diverse influences as a starting point, the series offers a deeper understanding of key concepts in contemporary art and provides a wider context for Young’s newly commissioned work in Venice. Songs for Disaster Relief is conceived of as an album unfolding in space to be experienced in person. The series includes four key pieces, each of which tells a new story referencing the cultural and political context of iconic 80s charity songs. Through a deliberate repurposing and creative misreading of such iconic songs, Young presents an exploration of the troubling ideologies and genuine affective qualities that these songs and their aspirations embody. In the first talk in our series, Guest Curator Ying Kwok shares her experience of taking Songs for Disaster Relief from concept to realisation in Venice. She is joined by Anthony Leung Po-shan, one of the contributors to the exhibition …

There are no misinterpretations of nothing

By Winnie Lai Artist Tsang Kin Wah represented Hong Kong in last year’s Venice Biennale and has brought home a continuation of his quest for life’s ultimate meaning at the M+ Pavilion. This time the exhibition programme also includes the Misguided Tours, in which three curators who have previously worked with Tsang shared their alternative interpretations of the work. After The Infinite Nothing in Venice, nothing in Hong Kong takes the artist’s attempt to realise endlessness and perpetuity to another level. This time he wants to visualise and present nothingness: a personal visualisation of being under a nihilistic spell, and a manifestation of responses to realising the futility of life. It isn’t a straightforward or light-hearted work to digest. The Misguided Tours are an effort to counter the idea that there is an official way to understand art. Everyone has a blind spot; other people’s perspectives can dispel preconceptions and expand the understanding of a work. Tsang, a fan of Nietzsche, who famously said that ‘There are no facts, only interpretations’, would agree. nothing is the first show at the M+ Pavilion, …

Tsang Kin-Wah: Nothing at M+ Pavilion

October 6, 2016 The M+ Pavilion, the first venue to be completed in the West Kowloon Cultural District, opened to the public with its inaugural exhibition Tsang Kin-Wah: Nothingearlier last month. The solo show by renowned local artist Tsang Kin-Wah is a continuation and expansion of the artist’s widely acclaimed 2015 presentation The Infinite Nothing at the 56th Venice Biennale. Nothing draws on philosophy, literature, religion, and popular culture references and presents a site-specific, immersive installation of text, sound, and video projections. Make the most of your visit to the exhibition with a series of free programmes, including ‘Misguided’ Tours led by curators that have worked with Tsang at significant points in his career, and gallery tours led by M+ curators. Watch the exhibition trailer here for a sneak peek. Date: 9/9–6/11/2016 Opening Hours: 11am–6pm, Wednesday to Sunday and public holidays M+ Pavilion, West Kowloon Cultural District For further information, please visit http://www.westkowloon.hk/nothing ‘Misguided’ Tours In these tours, curators who have worked with Tsang Kin-Wah share anecdotes and insights about the artist and his practice, offering a rare opportunity to hear alternative readings …